The AF-S DX NIKKOR 18-200mm, the next generation of Nikon’s all-time best-selling premium high-ratio zoom, combines an 11X zoom range with VR II to provide DX-format enthusiasts with an extremely versatile zoom range in a compact form-factor. Nikon enhanced construction to include a zoom lock switch, to allow photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. The inclusion of Nikon’s exclusive Super Integrated Coating (SIC) reduces instances of ghosting or flaring. Whether shooting artistic landscapes or vacation snapshots, this lens provides fast and quiet AF operation with the help of Nikon’s SWM technology. Designed to be a one-lens solution and weighing in at a scant 19.9 ounces and measuring only 3.8 inches in length, this lens provides an extraordinary (35mm equivalent) picture angle of 27-300mm when mounted on any Nikon DX-format camera such as the new D300s or D3000 D-SLR cameras. Additionally, the optical formula contains two ED glass elements and three aspherical lenses to minimize chromatic aberration and distortion. The resulting images exhibit extreme sharpness, extraordinarily vibrant color and crisp contrast. 11x Zoom versatility A remarkable 18-200mm one-lens solution?adept in a wide variety of situations. Picture angle equivalent of a 27-300mm lens in 35mm format. Nikon VR II (Vibration Reduction) image stabilization Vibration Reduction, engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images. Two Extra-low Dispersion (ED) elements Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at wide aperture settings. Three aspherical lens elements Virtually eliminates coma and other aberrations, even at wide apertures. Zoom lock switch Secures lens barrel at its minimum length. Nikon Super Integrated Coating (SIC) Enhances light transmission and offers superior color consistency and reduced flare. Exclusive Nikon Silent Wave Motor (SWM) For fast, accurate and quiet autofocus. Rounded 7-blade diaphragm Renders more natural appearance of out-of-focus image elements. Focus to 20 inches Extends versatility. M/A focus mode switch Enables quick response to changing situations between manual and autofocus operation. Flower-shaped lens hood Included HB-35 lens hood?shades the objective from unwanted, image-degrading light.
Filed under Nikon Cameras by on Mar 1st, 2010. Comment. 
The AF-S NIKKOR 14-24mm f/2.8G ED lens is highly versatile and can be ideal for a range of different photographic applications. Photojournalists can tell the entire story with a single shot, interior photography can be done without fisheye distortion, or a breathtaking landscape can be captured in one frame. The new AF-S NIKKOR 14-24mm f/2.8G ED lens is one of the fastest 14mm ultra-wide angle zoom lenses available today. Fast, ultra wide-angle AF-S zoom lens optimized for edge-to-edge sharpness on both the Nikon FX (23.9 x 36mm) and DX format image sensors Enhanced optical formulas, engineered to produce exceptional sharpness, contrast and color, rendering outstanding image integrity Two ED (Extra-low Dispersion) elements and PGM aspherical lenses control chromatic aberrations, while enhancing sharpness and contrast, even at the widest aperture settings Exclusive Nano Crystal Coat further reduces ghosting and flare for even greater image clarity Nikon’s Silent Wave Motor (SWM) enables ultra high-speed autofocusing with exceptional accuracy and powerful, super-quiet operation Internal Focus (IF) provides fast and quiet autofocusing without changing the length of the lens, retaining subject-working distance through the focus range Focus as close as 10.8 inches at the 24mm setting Rugged construction and professional-grade dust and moisture resistance M/A Focus Mode switch enables quick response to changing situations between Auto and Manual focus operation
Filed under Nikon Cameras by on Feb 28th, 2010. Comment.
6) Show Them, Don’t Just Tell Them
Personally demonstrate the poses that you want from them and have fun doing it. Don’t worry that it might look silly coming from you; it helps to break the ice and win over your subjects and parents.
7) Keep their hands occupied
Hands are always a challenge in Brisbane portrait photography and it can be difficult to convey the hand positions that you want from your subject, especially young children. Instead of instructing the child how to position their hands, it is easier when you give your younger subjects a prop to hold. It also seems more natural.
Time the Highest Priority Goal
Wait for the right moment for that highest priority goal. Warm-up first, win-over your subject’s confidence, and recognize the peak time to shoot that most important goal before your subject(s) starts losing interest and focus. This typically takes place between 50 to 75% through the session.
9) Bribery Works
As a parent, routine bribery is not a good idea. However, as a Brisbane portrait photographer looking for that difficult portrait, have something on-hand within the set that will attract the child (ex. Stuffed toy, cookies, fun props).
10) Patience
Today’s cameras can shoot 10+ frames/sec, but burst shooting is risky and doesn’t work with strobes. Wait for the shot and train yourself to gently press the button just before the right moment. Repeat two or three times and choose the best if possible.
11) Kick the Parents Out
After you’ve gained the child’s trust and you’ve pre-occupied the child, gently ask the parents to step out-of-sight while you take some shots. Hands-down, the parents agree that the best shots came when the parents were not visible. Kids are seeking to please their parents and keep their guard up. Parents are able to use their own point-n-click camera to get those shots, what they want from you is what they can’t get, which occurs when the parents step away!
Summary
Arrange the session to work up to the most important shots through continuous communications and good workflow, but be flexible and dynamically adapt to your subject’s attention span and interests. You’re a professional because you’ve learned to balance the technical aspects with the creative and the people skills; successful children Brisbane corporate photographer can take you to a new level of professionalism.
Filed under Photography by on Feb 28th, 2010. Comment.
Video Editing has never become as easy as ever with green screen technique. The technique is also called chroma key editing. It is editing technique where two images are fused together to create a single and finished image. Photographers use this technique extensively in film and television to generate a wide range of special effects.
Procedure of Green Screen Technology:
“Chroma” means color in video jargon and chromakeying works by shooting a subject against a background of a very simple and uniform color. A Brisbane portrait photographer uses blue or green color screens because they are as far away from human skin tones as it is possible to get. Additionally it is very easy to use these two colors, as they are sensitive to the image sensors in the camera. The subject should not wear blue or green color clothes that can be same as that of the background screen. It effects the editing of the photograph or video. The background screen should be uniformly lit and even the foreground subject. This is to prevent any type of shadows on the subject or on the background screen. Keep subject and background as far apart as you can. After the very shooting, editing software replaces the background color by another shot chosen by the photographer. The most usual example is that of a map behind the weatherman in the news stations. The person is actually standing in front of a green or blue color screen that replaced in the control room with a background image of a map.
Uses of the Green Screen Technology:
Video editing with chroma key technology is a user-friendly procedure to transform your videos and images and personalize them the way you desire. Mainly professionals deploy this method and they use for photo shoots for magazines, advertisements, newspapers and for the Internet. In Brisbane portrait photography , a photographer uses such kind of technique. One uses the method usually in the television or news stations. A video editor uses the procedure often in films that saves time and money in shooting. If you see your favorite actor climbing the wall or getting invisible, it is the result of this technology. The people who have Brisbane wedding photography as their hobby can also use it. One can also use the technique at home. You should mount a solid blue or green colored sheet on the wall. Take the pictures that you should replace and after shooting the foreground subject use an advanced photo program to edit. This will eliminate the background of the picture and replace it with another. Teachers can also use the green screen technology by placing the image of a student in the area of the topic that they are learning. It is great fun for a person to use this advanced technology with expediency.
Filed under Photography by on Feb 28th, 2010. Comment.
